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列印 轉寄
出版品
臺南美術6 檔存藝術
  • 類別
    季刊
  • 作者
    臺南市美術館
  • 出版日期
    2017年8月
  • 出版單位
    臺南市美術館
  • 規格
  • 定價
    新台幣150元
  • ISBN
    ISSN 2414-410X
內容
美術館緣起於蒐藏、維護與研究具有重 要歷史、藝術價值的作品,並透過展 示使公眾得以觀看這些物件,達成公 共服務、社會教育等任務。然而受限於館舍空間、經費與展覽檔期等因素,往往有極大比例的典藏作品無法被呈現出來,為了能持續地分享和進行知識的交流,向外傳播、發展國際閱聽網絡,故
而結合數位時代所帶來的思維概念與應用技術,則是當前有利於保存作品與活化典藏的執行策略。本期封面故事藉由多國經驗的借鑑,希望分享美術館如何能主動吸引、開發數位時代的觀眾群體,甚而自更具創意的分類與詮釋方式,激發出新的知識連結,以及擴充更為多樣與精彩的文化生成。

To collect, conserve, and study artworks that are of important historical and artistic values are some of the original functions of art museums, with public service and social education achieved through open exhibitions. However, due to limitations in space, funding, and available exhibition dates, most of the artworks collected in a museum are often not publically showcased. In order to continue to share and engage in the exchange of knowledge and to conduct external communication and development an international network of audience, the integration of digital concepts and applications has become an advantageous strategy at the moment for conserving artworks and vitalizing collections. The feature story of this issue looks into the experiences of multiple countries and shares how art museums could assertively appeal to and build an audience base in today’s digital era. Creative classifications and interpretive methodologies could also be applied to spark new knowledge links and to expand and lead to the production of more diverse and exciting culture.

目錄
籌備紀要
04 在地元素 ‧ 當代演繹 ‧ 亞洲視野:南美館首任館長林保堯之願景 文。高子衿
06 臺南市美術館籌備團隊
插畫 _ Sujames
08 長年的期盼,終將化為前進的根基─南美館籌備紀實
文。劉翠屏
10 臺南市美術館籌備時期之典藏與實務
文。沈明芬 圖。臺南市美術館
封面故
14 檔存藝術
16 重建臺灣藝術史:從藝術檔案的基礎建置做起
文‧圖。蔣伯欣
26 永遠拼不完的拼圖:法國國立藝術史研究院的「當代時期的藝術檔案」計畫 文。陳文瑤
36 文化平權,資源共享:荷蘭國家博物館數位發展策略
文。殷寶寧 圖。荷蘭國家博物館
46 挽留講述多元歷史的可能性:香港亞洲藝術文獻庫的檔存探索
文。翁子健 圖。亞洲藝術文獻庫
定期專欄
蒐藏癖
56 集珍成館,來自對文學的愛—張良澤
文。劉翠屏 攝影。PJ
藝術職人
62 展間劇場,快樂時光:「捌貳創意」藝術展場設計師陳逸帆
文。朱貽安 圖。捌貳創意
環境與藝術對話
68 不止於社區營造:談吳耿禎「剪紙合作社—蕭壠計畫」
文。許峰瑞 圖。吳耿禎
限界藝術
74 陳冠彰:跟著祖靈出遊,從「說故事」到「交換故事」
文。陳冠彰


CONTENT
VIEW POINT
05 Local Elements・Contemporary Interpretations・Asian Visions The Vision of Pao-Yao Lin, the First Director of the Tainan Art Museum
Text˙Tzu-Chin Kao Translation˙Wordcorp
06 Tainan Art Museum Organizing Team
Illustrator˙Sujames
08 Years of Hope Lay Foundation for Moving Forward - Planning for Tainan Art Museum
Text˙Tsui-Ping Liu Translation˙Wordcorp
12 Acquisition Practices of the Tainan Art Museum During its Preparation Period Text˙Min-Feng Shen Translation˙Wordcorp
COVER STORY
22 Reconstructing Taiwan’s Art History: Starting with Fundamental Establishment of Art Archives
Text˙Po-Shin Chiang Translation˙Hui-Fen Anna Liao
32 A Never-Ending Jigsaw Puzzle: The Archives of Art in the Contemporary Era at the National Institute of History of Art
Text˙Wen-Yao Chen Translation˙Chang-Min Yu
42 Cultural Equality, Resources Sharing: Digital Development Strategy of the Rijksmuseum
Text˙Pao-Ning Yin Translation˙Chang-Min Yu
52 Redeeming the Possibility of Telling Multiple Histories: Revisit the Collection of Hong Kong’s Asia Art Archive
Text˙Anthony Tsz Kin Yung
REGULAR COLUM
OBSESSION
60 How a Love for Literature Became into a Musueum: Lain-Jer Chang
Text˙Tsui-Ping Liu Translation˙Chang-Min Yu
ART PRO
66 Theatricality in Exhibitions: Yi-Fan Chen, Eighty-Two Creativity Art Exhibition Designer
Text˙Yi-An Chu Translation˙Hui-Fen Anna Liao
ENVIRONMENT & ART DIALOGUES
72 Beyond Community Empowerment: Jam Wu’s“PapercutField ─ Soulangh Project”
Text˙Fong-Ray Hsu Translation˙Hui-Fen Anna Liao
MARGINAL ART
78 A Journey with Ancestral Spirits: From “Telling Stories”to“Exchanging Stories”—Guan-Jhang Chen
Text˙Guan-Jhang Chen Translation˙Hui-Jun Huang
  • Title Files
  • 臺南美術6
    將另開新視窗(下載 Pdf 檔)pub_f0370085003336.pdf
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